“A lighthouse keeper hears a second voice on the radio. Slow dolly, sodium light, fog rolling past the window.”
Nine nodes, one production.
Every node is a real production step, not a wrapper around one prompt field. Hover a card to see what it does.
Get to a screenplay three ways
Generate a script from a story premise, build it around a character, or write it yourself in the node.
Script from a story, a character, or your ownA screenplay becomes a season
Split the full screenplay by plot beats and every episode drops onto the board as its own script node.
Open episode panelThe instruction layer
Hold parameters, prompts and asset references, and feed them into any node downstream.
Parameters, prompts, referencesStills, in and out
Bring in your own images, transform them image-to-image, or upscale what you already generated.
Upload, image to image, upscaleShots from frames
Turn a first frame into a shot, or lock a first and last frame to control where a shot starts and ends.
First/last frame, upload local videoSound that drives picture
Feed audio into the board and drive video from it.
Audio to videoBlock it in 3D first
Build the scene in 3D and capture multi-angle shots before committing to a render.
Open director consoleThe cut
Assemble the approved shots into the finished piece inside the same project.
Open video composeThe board, in order
The same project, read as a shot sequence instead of a graph.
Switch to StoryboardEvery frame keeps its prompt.
Hover a tile to read what made it. Use the prompt and it lands in the composer above, ready to run.
“Drone pass over a wheat field at golden hour, one figure walking against the wind, slow push in.”
“Close-up: she exhales and the room goes quiet. Handheld, 35mm, tungsten practicals only.”
“Two brothers meet at their father’s funeral and only one of them knew he was sick. Write the first episode.”
“A courier delivers a package that should not exist. Neon alley, rain, reflections, tracking shot from behind.”
“Cold open for EP06: a dead channel comes back to life. Abstract light, slow rotation, deep black.”
“Interrogation room, a single lamp, the confession stalls. First frame locked, last frame: the lamp goes out.”
“Block the dispatch room in 3D: Layla at the desk, the camera circles her slowly, three angles.”
One screenplay in, a board full of episodes out.
Point the splitter at the full screenplay and it breaks the story on plot beats — full bodies, light boundary smoothing, so episodes end where the tension does. Each episode lands on the canvas as its own script generator node, ready to branch into its own shots.
- Split on plot beats, not on page count
- Detailed episode bodies, not one-line summaries
- Every episode becomes a working node, not an export
Block the scene in 3D, then shoot it.
The director console lets you build the scene in 3D and capture multi-angle shots from it. Decide the angle, the framing and the coverage while it's still geometry — then send the frames into the video nodes.
- Build the scene in 3D
- Capture multiple angles from one setup
- Feed captured frames straight into the board
Four steps.
Write
Generate a script from a story or a character, or paste your own.
Split
Break the screenplay into episodes on plot beats. Each one becomes its own node.
Shoot
Wire episodes into image, video, audio and 3D nodes. Upload your own material wherever you want it.
Compose
Send the approved shots to video compose and finish the cut in the project.
Questions
Do I need a finished script to start?
No. Start from a story premise or a character and generate the script inside the story script node — or write it there yourself.
How do episodes get created?
The episode splitter breaks the full screenplay on plot beats and drops each episode onto the canvas as its own script generator node.
Can I use my own footage and images?
Yes. The image and video nodes both accept local uploads, so your material sits on the same board as anything generated.
Can I control how a shot starts and ends?
Yes. The video node supports first-frame and first/last-frame generation, so you set the endpoints of a shot instead of hoping for them.
Do I have to work in node graphs?
Only when you want to. Switch to the Storyboard view to read the same project as an ordered sequence of shots.
Where do I finish the edit?
In video compose, inside the project. Nothing has to be exported to a separate editor to be assembled.
Start with an empty board.
Drop one script node and build outward until it's a series.