Wire it as a graph.
Read it as a sequence.

The same project, two ways to look at it. Switch any time — the board never moves underneath you.

Workflow view

Build the graph,
branch by branch.

Every node has ports. Chain script → episodes → stills → shots → sound → cut, or bring a still, an audio track or a clip in at any point. Change one node and re-run only what sits below it.

Typed ports: text into the story nodes, picture into everything visual
Insert from the dock, the N key, a double-click, or a dropped wire
Undo per gesture, versions per board
Frames, stickies, ink and folders keep a big board legible

Storyboard view

The shots,
in production order.

The board read left to right as a shot list. Every shot shows its still, its model, its state and where it stands in review. Click one and land on it on the board.

Shot number, model and length on every card
Awaiting review · Approved · Changes, as pills
Filter to what is out for review or already approved
A projection of the board, never a second copy of it

Side by side

Which view fits what you are doing right now.

Workflow

When building wins

Best for: wiring a new branch, re-running a node with new inputs, bringing footage in

Storyboard

When reviewing wins

Best for: a pass over the shots before they go to compose

Workflow

Bringing your own footage in?

Drop it on bare board. It becomes an Upload node, wired wherever you point it.

Storyboard

Checking what is approved?

Filter to Approved and you are looking at exactly what video compose will cut from.

Workflow

Need a hand?

Ask Agent sits on every board — ask it to re-split, rewrite a line, or explain a node.

Storyboard

Showing it to someone?

The storyboard reads like a shot list, so a reviewer never has to learn the graph.

The viewport never moves between views. Switch back and you land exactly where you left the board.

Wire it as a graph.Read it as a sequence.

Build the graph,branch by branch.

The shots,in production order.

Side by side

When building wins

When reviewing wins

Bringing your own footage in?

Checking what is approved?

Need a hand?

Showing it to someone?

Open it either way.

Wire it as a graph.
Read it as a sequence.

Build the graph,
branch by branch.

The shots,
in production order.